| Dust /The Beginning of the 21st Century |
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
![]() | |
| Dust, The Romanian Pavilion the 52nd International Art Exhibition of the Venice Biennale 2007 | |
![]() |
|
| Dust, Social Factory: The 10th Shanghai Biennale, Power Station of Art, Shanghai, 2014 | |
| Dust, 2005-2007. In the filmed performance (Vacaresti, 22'26", 2006), the artists trace, with sticks and string, the outline of the church Vacaresti in Bucharest, demolished by the communist regime in 1986. This symbolic recuperation, based on a performative understanding of the monument, gains resonance in relation to present-day plans to build a commecial mall on the same site. The bags of concrete, dribbling inert dust, function as a historical hourglass between an unclear 'then' and a problematic 'now', pointing at loss and at entropy that architecture 'constructs' while it seeks to embody power, be it political or economic. |
![]() | |
| The Beginning of the 21st century, installation, The Romanian Pavilion the 52nd International Art Exhibition of the Venice Biennale 2007 | |
| The
Beginning of the 21st century, 2007.
The house growing inside the pavilion functions as excrescence
that consumes space, an inbuilt contradiction, a nonument. It problematizes
the relation between the stages of architecture, the tensions these create between
them and the contradictory notions of dwelling they stem from. Architecture devouring
space and simoultaneously trying to imbue it with meaning - suspended halfway
between the two operations, refraining from both. Mihnea Mircan |
| LOW-BUDGET MONUMENTS The Romanian Pavilion the 52nd International Art Exhibition of the Venice Biennale 2007 Artists: Victor Man, Cristi Pogacean, Mona Vatamanu & Florin Tudor, Christoph Buchel & Giovani Carmine Curator: Mihnea Mircan Pavilion commissioner: Mihai Pop Fundatia Plan B index |